Tag: phantom of the opera

Unmasking the Phantom – Part 1

Raoul had not been to the Paris Opera House for quite some time. Ever since that one fateful night that changed his life for better and for worse. But here he was, attending the auction of old sets, props, costumes, and whatever else they could make money off of. The Opera House was, after all, looking to modernize to entice the younger generation to attend.

Raoul’s second wife wheels him closer to the stage that once held the great, late La Carlotta. He can see the stage in his mind’s eye. His vision had slowly been diminishing ever since the same night that kept him from coming to the Opera until now. Suddenly he hears his wife let out a small, light gasp and hesitates to move forward.

“What is it?” he asks, straining to see what he knows he cannot.

His wife places a hand on his shoulder and leans down some so that she does not have to raise her voice. He can smell the makeup she used and feel the netting of her hat. The style he knew so well on her. Her headwear, always tilted a bit to the right and always netted to cover her face. Her long, black hair, underneath, hanging loosely around her eyes and cheeks. He wished he could have seen her before his sight started to go. What a sight she would have been! Although, she would never compare to Christine.

“It is a skull – no! It is a mask! A mask in the shape of a skull like the one you’ve described before.” She pauses and Raoul tilts his head towards her mouth, motioning for her to continue. “The one that belonged to the Phantom. They are auctioning it off.”

The Phantom. The Phantom that had haunted this building, Christine, and Raoul himself. Raoul turned his gaze to the carpeted flooring covered in dust. He blinked away a tear. When he looked back up, he nodded in the direction of the stage, willing his wife to continue moving on.

 

Edmée, Raoul’s wife, did not want to stay a minute longer than needed in the Opera House. It held memories for her, as it did for him. She had never uttered a word to him about her time at the Opera House. She had sworn to never tell until one of them were on their deathbed.

Raoul had been invited to take a tour of the Opera house with the new owners who were planning to modernize it and make it useful again. He gladly accepted after Monsieur Dubois painted lovely pictures in his head of the grand staircase as it had been, was now, and would be when they were through renovations. Edmée just smiled politely, not wanting to be reminded of the past as how others knew it. She felt in the pit of her stomach that Monsieur Dubois and Monsieur Beaulieu had other reasons for engaging her husband. His time as the patron of the Opera House had been short and as an old, wealthy man with only two heirs, he could afford to help with the costs that they were planning.

The two new owners offered to wheel the Vicomte around. Edmée thanked them, and feigned exhaustion when they came to the dressing rooms used by the Prima Donnas of earlier days.

“I will stay here until your tour is through. I need to rest.” She made her way towards the dressing room as the two men wheeled her husband down the hallway, laughing and conversing as if they had known him forever.

The room looked as if no one had been in it until now. Edmée guessed that everyone was afraid of it after Christine Daaé came out with her narrative of the time she spent living at the Opera House as a dancer. This was, after all, the very first place the Phantom had met Christine in person. This is where Christine’s story took a turn for the worst, as she had put it. However, Edmée knew, that this was the room in which the Phantom had made the biggest mistake. This was the true point of no return. Most of all, this is where Raoul, Christine, and the Phantom’s lives were changed, but had it been for better or for worse?

phantom of the opera, round robin, story, unmasking the phantom

Judging a book by it’s cover?

One of the biggest taboos of reading is to never judge a book by its cover. Honestly, though, you know we all do it. A book that has a horrible cover is less likely to be picked up than a book with a nice cover.

For example, if I see a cover that has a woman dressed in Tudor-era clothing, I am much more likely to pick it up than if it has a castle on the cover. I like dark covers, with big, bold titles. Does this make me a bad person, because I pick the book up specifically by what I see on the cover?

This isn’t even just in bookstores. I am currently subscribed to three different email lists that send out free and discounted ebook emails each day. They are Freebooksy, Bookbub, and The Fussy Librarian. Freebooksy has completely free titles, Bookbub has both free and discounted titles, and The Fussy Librarian has two different lists: One for free, and one for discounted. I’ve loaded up my Kindle with over 1k titles thanks to these emails. When I receive the emails, I scroll through looking at the covers of the books, and if it catches my eye, I read the description. Very rarely do I read a description of a book where I don’t like the cover. For example, I rarely read covers with stereotypical romance covers, because I’m just not into that kind of thing. However, the other day a book with the title of “Loki” came up. Even though I could tell it was a romance, I read the description because I was hoping it might be a romance based on the Norse god of mischief (hint: it wasn’t). Still, the cover was a big part of my decision.

Now, am I saying you should completely ignore covers that aren’t your style, or as nice as you’d like? No. I’ve read some awesome books that had terrible covers. I’m just saying that we subconsciously decide whether or not we like a book simply by what’s on the cover.

Speaking of cover, I think it’s about time we reveal the cover for “Unmasking the Phantom”! So, here it is!

 

Keep an eye out for the first installment to be published soon!

cover, loki, norse, norse mythology, phantom of the opera, romance, unmasking the phantom

The Greatest Showman

Rating:

Let me begin this by explaining one thing about myself. I am a theater geek, particularly for “The Phantom of the Opera” and “Lestat.” I’m friends with actors, I used to go to the Broadway Annual Flea Market each year when I lived in NJ, I’ve seen “Phantom” about six times on Broadway. I’m a geek.

So when I say “The Greatest Showman” is amazing, I mean it. Once I heard it was a musical, I needed to see it. I was slightly skeptical, because I was so far from a fan of Hugh Jackman’s performance in “Les Miserables.” I hated his performance. Still, I needed to see the movie.

I did not get the chance to see it in theaters, which bummed me out, but it takes time and money to go to the movies, and I don’t like to go out a lot. So my first exposure to the movie was hearing the songs play on Adele’s Pandora station (of all places). The first song I heard was “This Is Me,” which I thought was okay. I mean, now that I’ve heard it more I love it, but at the time it was not my favorite (which could also be attributed to the fact that I listen to Adele Pandora at work, so I couldn’t hear the whole song). Then someone on Facebook posted a video clip of “Never Enough,” and I was hooked.

That’s one thing you can certainly say about the movie’s soundtrack. It digs into your brain and sticks. I have had “Rewrite the Stars” in my head for over a week. I absolutely love the music, and am excited whenever one of the songs comes on at work.

The story was a very good one. Everyone loves a good underdog story, but P.T. Barnum didn’t seem to be an underdog to me. He was always determined to fulfill his dreams, and he did. I loved the love story between he and his wife Charity. She loved him despite the fact he was not her equal in rank and standing. She always made it clear that she would support and love him in anything he chose to do, no matter what. We need more love stories like that.

The main threat to their love story is Jenny Lind. At one point, Jenny kisses Barnum, though it was not reciprocated. The story gets back to Charity. When Barnum talks to her about it, she stated that she wasn’t upset at the kiss, she was upset that he didn’t trust her with a business dealing that led to them losing their house. I absolutely loved this, because she trusted her husband with a beautiful singer, but faltered when he hid the truth. Too often we see couples in movies broken up by kisses, even if the one party did not consent.

The actors were all superb. As I stated, I was worried about Jackman, since he seemed to sacrifice his singing for his acting in “Les Mis,” but that’s not so in “The Greatest Showman.” His singing is as good as his acting, and he did not sacrifice one for the other. I was pleasantly surprised by Zac Efron. I know he’s done musicals before, but they were all juvenile. He was definitely perfect for his role. All of the others performed as well as I had hoped they would. I was slightly saddened that Rebecca Fergusen did not do her own singing as Jenny Lind, but the woman who they picked to dub over was phenomenal.

I can’t really say anything bad about this movie. I loved the story, the acting, and the music. It has to be one of my favorite musicals. I’m absolutely addicted, and you will be too.

 

 

You can get “The Greatest Showman” here.

hugh jackman, lestat, michelle williams, movie, musical, phantom of the opera, rebecca fergusen, Review, the greatest showman, zac efron

RoseBlood – A. G. Howard

Rating:

RoseBlood by A.G. Howard is a beautiful book. That was my first reaction when I saw it. It’s just a beautiful book. You can tell extra work went into the design. The text is blood-red and the chapters have very lovely red decoration. The cover is beautiful, almost breathtakingly so. I was given this book as a gift from K. Leigh, and the second I saw the cover I wanted to read it. She had asked me if I had read a book where the Phantom was a female, to which I had responded that I have not. Then, when she surprised me with the book, I was enchanted. As soon as I had the chance, I read it.

The summary from Goodreads is:

“In this modern-day spin on Leroux’s gothic tale of unrequited love turned to madness, seventeen-year-old Rune Germain has a mysterious affliction linked to her operatic talent, and a horrifying mistake she’s trying to hide. Hoping creative direction will help her, Rune’s mother sends her to a French arts conservatory for her senior year, located in an opera house rumored to have ties to The Phantom of the Opera.

At RoseBlood, Rune secretly befriends the masked Thorn—an elusive violinist who not only guides her musical transformation through dreams that seem more real than reality itself, but somehow knows who she is behind her own masks. As the two discover an otherworldly connection and a soul-deep romance blossoms, Thorn’s dark agenda comes to light and he’s forced to make a deadly choice: lead Rune to her destruction, or face the wrath of the phantom who has haunted the opera house for a century, and is the only father he’s ever known”

 

Now, this book was good, but it wasn’t the best Phantom-based story I’ve ever read (that honor goes to Susan Kay’s “Phantom.”) My main issue with the story is that it started off rather slow. I was constantly waiting for something to happen. While the multiple attacks of Rune’s ailment were a bit tedious, I loved the idea that Rune’s ailment was temporarily cured by Thorn’s violin playing. It was a cute way to forge a connection between the two.

I was surprised to find that me and K.Leigh were wrong about the story, in that we had assumed by the cover that the story was about a female Phantom. The Phantom of the Opera is in the story, but it is not Rune, the girl on the cover. This did not affect my opinion of the story, but it was a bit confusing as to why they would show her wearing the mask rather than her holding it, as some of the other cover mockups suggest. According to an interview with the author here, they chose the final cover because it also had ties to Howard’s more popular series “Splintered.” While I understand their reasoning for choosing the cover, and it is a truly beautiful cover, it is slightly misleading.

However, once I realized that the mask wasn’t Rune’s, I expected the Phantom to pull his usual tricks and treat her as he did Christine. We don’t really get interaction between the two until a good ways into the novel, which was disappointing. Instead, the connection is between Thorn and Rune. This makes more sense, as the Phantom is quite a bit older than Rune and Thorn is closer to her in age, but still. Is a story truly a Phantom of the Opera story if he’s a minor character?

I really did like this story. It was a joy to read, especially regarding how pretty the book itself is. Heck, I just bought an autographed first-edition. Would I read it again? Heck yes. It’s a great story. Is it worth reading? Very much so. It’s very well written, minus the slow start.

If you’re a Phantom “phan,” it’s a must-read.

 

 

To get your copy of “RoseBlood” by A.G. Howard, go here.

ag howard, fanfiction, phantom of the opera, Review, romance, roseblood, splintered

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